Anh nong ngo thanh van biography

History without biography would be something like rest without relaxation, food with no taste, and a bit like a history of love without love.

Victor Albjerg1

1The world of the new hero is steeped in both myth and reality. The heroes at Tuyên Quang were real people, endowed with omnipotence by an authoritarian and internationalist political rhetoric. In the Vietnam of the 1950s, the new hero represents the slow and progressive disappearance of individual memory in the face of the propaganda apparatus of the State. The new Vietnamese hero differed from the emulation fighter because of his close bond with the central government. Although this close collaboration was sometimes fictitious, the heroic figure was designed to be the incarnation of a value; he was an absolute in flesh and blood presented to society as the conduit of an ideal. The new hero was a transmitter, the alchemist of a new transformation between the government and its people. He alone ushered in the acceptance of a new idea and gave life to an immaterial temporal power bearing the weight of national tradition. Since 1950, the DRV conformed to the dictates of an internationalist framework and the hero was always clad in modern-day dress, either as Catholic peasant in 1952, valiant warrior in 1955–56, or outstanding worker from 1958–1962. He fulfilled a double mission: on the international scene, he positioned the DRV on the scale of “friendships” that they had procured with their brother nations; on the domestic front, he helped the people identify with their leaders in a nation torn apart by war. By the time the war resumed with the South (1964), he had been overused, however, and his efficacy dulled, to the point where popular sayings and proverbs made fun of his overexposure. The new hero inhabited the realm between myth and reality, a fragile but very real emanation of the essence of a nation born from the originary struggles of their mythic Hùng kings.

2Vie

Music career

In 2002, Vân transitioned into the music scene as a pop-dance singer with the help of producer Quốc Bảo. She recorded a duet album called Vườn tình nhân (Lovers' Garden) with established singer Tuấn Hưng.

The next year, again with the help of producer Quốc Bảo, Vân released her debut solo album, Thế giới trò chơi (Playworld), on 26 February. This album was a power pop-dance LP with the theme "NTV Virus". Two music videos were filmed for the album: "Thế giới trò chơi" and "Ngày tươi sáng", a cover version of jtL's "A Better Day", which was directed by Jackie Chen. These two videos were the first Vietnamese music videos to feature professional special effects and are listed among the most expensive Vietnamese music videos to date.

In 2004, Vân followed up with her second album, Bí ẩn vầng trăng (Mystery of the Moon), which featured a moon theme, on 15 March. Three videos were released from this album: "Bí ẩn vầng trăng", the cheerleader-themed "Vươn đến tầm cao" ("Reach for the Sky"), and the ballad "Khi nào em buồn" ("Whenever I'm Sad"), which was later covered by many artists including Mắt Ngọc, Minh Thuận, and Thanh Thảo.

On 5 September 2005, Vân released her third album, Con đường em đi (My Way). This album was produced by Vân herself and featured a collaboration with a group of producers called The Dreams.My Way featured multiple genres, from alternative rock to pop, R&B, and hip hop. She remixed the famous Trịnh Công Sơn song "Quỳnh Hương".

In autumn 2006, after a two-month break in America, Vân returned to Vietnam, and started recording her fourth album which she promised would be a dance anthem record. In October 2006, Vân premiered one of her new songs "I Won't Stop Loving You," a new collaboration with Quốc Bảo, on the final episode of 21st Century Woman on VTV. Due to heavy promotion for her film The Rebel, the album release was pushed back to the summer of 2007. In May 2007, Vân announced that the fourt

The film, Vinaman, will feature challenges and secrets about a superman who fights evil and protects justice.

Its first poster was released on Van’s Facebook page last week, attracting many likes and comments from film critics and fans.

Van and her studio, Studio68, are working on casting the film.

“The world has Superman, IronMan and SpiderMan. How about us? I wanted to capture a Vietnamese superhero named Vinaman, who has a Vietnamese spirit and character, in my new film,” Van wrote on her Facebook page.

Her film is based on real stories in Vietnam during the COVID-19 pandemic. “I saw many doctors and volunteers in the fight against the virus. I don’t think a superman should be the strongest. I believe he should be a person who makes the biggest sacrifice,” she wrote.

Nguyen Thi Kim Chi, a 10th-grade student from HCM City, said: “Van has a lot of experience in the industry. She performed in Hollywood films and has worked with talented Vietnamese and foreign film directors. Her film, Vinaman, will be the best work of its kind on superman in Vietnam."

Van began her movie career in 2004 with a leading role in Rouge, a 13-part TV series produced by international channel MTV Asia, after spending years in music and on the catwalk.

In 2006, she played a leading role in Dong Mau Anh Hung (The Rebel), a kung fu film directed by Vietnamese-American Charlie Nguyen. The film won the Grand Jury Award at 2007 Sharing Visions, a biennial international film festival for Vietnamese filmmakers held in Los Angeles.

Van has performed in several films and TV shows before becoming a director and producer. Her first movie as a producer was the comedy film Ngay Nay Ngay Nay (Once Upon A Time), a co-production between the artist and her partner, Canadian-Vietnamese director Cuong Ngo,

Vietnamese actress (born 1979)

In this Vietnamese name, the surname is Ngô. In accordance with Vietnamese custom, this person should be referred to by the given name, Vân.

Ngô Thanh Vân (born 26 February 1979), also known as Veronica Ngô or by her initials NTV, is a Vietnamese actress and singer.

Early life and education

Ngô Thanh Vân was born on 26 February 1979 in Trà Vinh, Vietnam. She is the youngest child with two older brothers. When she was 10, her family put her in a boat to escape the Vietnamese communist government. In 1990, Vân arrived in Norway as a boat refugee with an aunt. She was subsequently naturalized as a Norwegian citizen.

In 1999, at the age of 20, Vân returned to Vietnam where she participated in a beauty pageant organized by the magazine Women's World, and finished as second runner-up. Following this initial success, she launched her modelling career in Vietnam as a model for magazines, calendars, and fashion collections. Soon after, she had her first acting role on the small screen in Hương Dẻ, a short TV series on HTV Channel.

Career

Music career

In 2002, Vân transitioned into the music scene as a pop-dance singer with the help of producer Quốc Bảo. She recorded a duet album called Vườn tình nhân (Lovers' Garden) with established singer Tuấn Hưng.

The next year, again with the help of producer Quốc Bảo, Vân released her debut solo album, Thế giới trò chơi (Playworld), on 26 February. This album was a power pop-dance LP with the theme "NTV Virus". Two music videos were filmed f